Trinity poem

holy-trinity-icon2_2Our little lives and minds so naturally focus on the me-my- mine

Sometimes our interest expands to the we-us-ours, but we’re mostly prone to “other” others, to “they” them, to keep “them” at arm’s length, outside the inclusive circle.

At times we step closer with “you,” but we are most comfortable with its imperative and accusative forms.

Ultimately, the “me” trumps all.

And so our minds boggle and balk at the Holy Trinity, the unity of Father-Son-Spirit in mutual dance, at the distinction and oneness of I-You-We forever and always embraced.

It’s a glorious mystery that beckons us to deeper secrets, for this Holy Circle, without disruption to its perfect sphere, extends hands to us and sees no “they.”

We are pulled into the dance, into abiding, into embrace, into partaking the nature of God.

We are filled yet made wholly us, and we learn that what we thought merely a fairy-tale hope–that ALL could be family, that peace could encompass ALL–is True.

The hope is Real.

For this the Son put on flesh: that we might know Father, Son, Spirit, our beautifully dancing God; that we, drawn in, might see all as “we,” and paradoxically discover—in the giving of “I” to “us”—that the “me” is best known.

The above is a poem I wrote about a year ago that I revised last week after reading these words by Catherine Mowry LaCugna. She was describing Rublev’s icon of the Trinity (seen above): “…the position of the three figures is suggestive. Although they are arranged in a circle, the circle is not closed. One has the distinct sensation … that one is not only invited into this communion but, indeed, one already is part of it. A self-contained God, a closed divine society, would hardly be a fitting archetype of hospitality.” #trinityclassns

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